c:dbnm:2017
Differences
This shows you the differences between two versions of the page.
| Both sides previous revisionPrevious revisionNext revision | Previous revision | ||
| c:dbnm:2017 [2017/09/05 00:50] – hkimscil | c:dbnm:2017 [2017/09/26 03:00] (current) – hkimscil | ||
|---|---|---|---|
| Line 12: | Line 12: | ||
| * 이메일: lmontenegro@ajou.ac.kr | * 이메일: lmontenegro@ajou.ac.kr | ||
| * 전화: | * 전화: | ||
| + | 교재공구: | ||
| + | 계좌: 신한은행 110-375-806400 | ||
| + | 교재대금: | ||
| + | ph. 010-5818-2241 | ||
| ===== 교과목개요 ===== | ===== 교과목개요 ===== | ||
| Line 44: | Line 48: | ||
| * Michael Strangelove. (2015). Post-TV: Piracy, Cord-Cutting, | * Michael Strangelove. (2015). Post-TV: Piracy, Cord-Cutting, | ||
| * Mike Proulx, Stacey Shepatini (2013). Social TV: How Marketers Can Reach and Engage Audiences by Connecting Television to the Web, Social Media, and Mobile. Wiley. {{amazon> | * Mike Proulx, Stacey Shepatini (2013). Social TV: How Marketers Can Reach and Engage Audiences by Connecting Television to the Web, Social Media, and Mobile. Wiley. {{amazon> | ||
| - | * Over The Top: How The Internet is (Slowly But Surely) Changing the Television Industry | + | * Over The Top: How The Internet is (Slowly But Surely) Changing the Television Industry |
| __참고도서__ | __참고도서__ | ||
c/dbnm/2017.1504572658.txt.gz · Last modified: by hkimscil
